bach: st matthew passion

Every year for Good Friday Vespers, a Passion would be performed in one of Leipzigs two principal (Lutheran) churches, St. Thomas and St. Nicholas. Anthony Rolfe Johnson, Anne Sofie von Otter, Ann Monoyios, Barbara Bonney, Howard Crook, Andreas Schmidt, Cornelius Hauptmann, Olaf Br, Michael Chance, Patrick Russill; English Baroque Soloists; Monteverdi Choir; The London Oratory Junior Choir/Sir John Eliot GardinerArchiv Produktions 4276482 (1988). If you ask musicians to tell you which ones they are, most will name Johann Sebastian Bachs. The second part presents the rest of the biblical story, including the Crucifixion, death, and burial of Christ. Egarr reverts to the original 1727 score of the work, which has not often . The plangent, woodwind-dominated sound of the orchestra adds tragic color to the choruss C-minor lament. Da gab er (Recitative)1:55:22 51. Simple while the other two were complex, it is a tender lullaby for the sleeping Jesus in the C minor key of the opening chorus and the rhythm of a slow sarabande dance. Kommt, ihr Tchter (Come, You Daughters), a vocal expansion of Bachs famous chorale fantasias for organ, serves as a majestic prelude to the work. Lass ihn kreuzigen (Chorus)1:46:20 46. That it was his own most treasured work is clearly indicated by the years of labor he spent producing a definitive score in his most beautiful handwriting with precise instructions for future performers. Ich will hier bei dich stehen (Chorale)37:01 18. Buy 3 SACDs or download online. Well-read and with critical literary tastes, Bach chose a fellow Leipziger, Christian Friedrich Henrici, who used the pen name Picander, to write the devotional poetry for the solo arias and major choruses that complement the Biblical words sung by the Evangelist and Jesus. St. Pauls Lutheran Church,4900 Connecticut Ave NW, Washington, DC 20008, Music Center at Strathmore,5301 Tuckerman Ln, North Bethesda, MD 20852, Saint Sophia Greek Orthodox Cathedral,2815 36th St NW, Washington, DC 20007, St. Marks Capitol Hill, 301 A St SE, Washington, DC 20003. "I think the St. Matthew Passion is one of the greatest pieces of music in the Western repertory," Bostridge says. The first movement of Bachs St Matthew Passion begins with Jesuss betrayal by Judas, follows the Last Supper and ends with Jesuss arrest by the Romans at Gethsemane. Ich bin's (Chorale)25:22 11. In fact, here Bach uses all 12 tones of the chromatic scalea feat predating Berg and Schoenberg by two centuries. Lass ihn kreuzigen (Chorus)1:53:43 50c. nun ist mein Jesus hin! 2022 Janet E. Bedell. Sir David Willcocks 1978 recording for Decca is the only version currently available in English. Mir hat die Welt (Chorale)1:16:16 33. Prior to a performance, subscribers may return tickets marked donated and receive a receipt for tax purposes for the value of thetickets. Bach's St. Matthew Passion performed by the Concertgebouworkest, conducted by Ivn Fischer. Nun ist mein Jesus hin (Aria)1:14:24 31. https://www.britannica.com/topic/St-Matthew-Passion-BWV-244, The Kennedy Center - "St. Matthew Passion, BWV 244", AllMusic - "St. Matthew Passion (Matthuspassion), for Soloists, Double Chorus and Double Orchestra, BWV 244 (BC D3b)". JS Bach 's St Matthew Passion is a passion oratorio, which sets to music the 26th and 27th chapters of St Matthew's Gospel from the German Lutheran bible. Bach: St. Matthew Passion. Da Jesu diese Rede (Recitative)8:40 3. The St Matthew Passion is the longest of all Bachs works. Aus Liebe (Aria)1:53:18 50a. Listen to Bach: St. Matthew Passion, BWV 244 by English Baroque Soloists, John Eliot Gardiner & Monteverdi Choir on Apple Music. Picander wrote the contemplative lyrical poetry for these numbers given to the four vocal soloists. Ich will bei meinem Jesu wachen (Aria)45:16 21. Like most websites, we use cookies to give you the best experience. Gardiner plays it too fast in the choruses. Discover the story behind Bachs St Matthew Passion widely regarded as one of the greatest masterpieces of classical sacred music. Picanders language tends to be very emotionaland to our present-day ears rather over the topbut it represents the sensibility of the Pietistic movement then dominating German Protestantism. Bach's St. Matthew Passion performed by the Concertgebouworkest, conducted by Ivn Fischer. Bach), Matteuspasjonen (Bach), Matteuspasjonen av Bach, (), Matteuspassionen, 1727 2, Evangelist, Jesus: "Da Jesus Diese Rede Vollendet Hatte"" and more. This Easter-time Berlin presentation was a stunning success and was followed by others. Wenn ich einmal (Chorale)2:25:49 63. Herzlieber Jesu (Chorale)9:23 4a. A composer himself, Luther launched the writing of stately German-language chorales, which, sung by Protestant congregations, became a centerpiece of the worship service along with the sermon. Und da sie (Recitative)33:47 15. For nearly a decade, she has annotated Harry Bickets annual series of Handel operas there, as well as recitals by the worlds leading vocal artists. A composer himself, Luther launched the writing of stately German-language chorales, which, sung by Protestant congregations, became a centerpiece of the worship service along with the sermon. This concert was recorded on 1 April 2012 at the Concertgebouw in Amsterdam. The story for the work was taken mostly from the Gospel According to Matthew, but the actual verses that Bach set to music were provided by several contemporary poets. It's a journey through the St. Matthew Passion guided by acclaimed scholars, conductors and singers (including Ian Bostridge, Joshua Rifkin, Ton Koopman and Christoph Wolff), all closely associated with Bach's masterwork. With each reappearance, he sets it in a progressively lower key, with its final, black-tinged version coming after the Crucifixion. How Mendelssohn's Passion sparked a JS Bach revival in 1829. Was mein Gott will (Chorale)53:15 26. The orchestra surrounds them with a rocking accompaniment expressing grief and contrition. If you want to help us complete All of Bach, please subscribe to our channel http://bit.ly/2vhCeFB or consider donating http://bit.ly/2uZuMj5.For the documentary about our performance of St Matthew Passion go to https://www.youtube.com/watch?v=yvlL-WHXK_wFor the interview with violinist Shunske Sato on BWV 244 go to https://www.youtube.com/watch?v=ak0Pxyt9QfwFor the interview with conductor Jos van Veldhoven on BWV 244 (St Matthew tradition) go to https://www.youtube.com/watch?v=T-ShZbOGdV8For the interview with conductor Jos van Veldhoven on BWV 244 (manuscript) go to https://www.youtube.com/watch?v=53VrYf_8B0IFor the interview with conductor Jos van Veldhoven on BWV 244 (rhetoric) go to https://www.youtube.com/watch?v=LNBD3PYKXWQFor the interview with tenor Charles Daniels on BWV 244 go to https://www.youtube.com/watch?v=CC93_G3FgTYFor more information on BWV 244 and this production go to http://allofbach.com/en/bwv/bwv-244/ All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. The plangent, woodwind-dominated sound of the orchestra adds tragic color to the choruss C-minor lament. April 1727 in der Thomaskirche in Leipzig statt. Komm, ssses Kreuz (Aria)2:14:02 58a. The audio program presented here, hosted by Lynn Neary, is from the NPR series Milestones of the Millennium. Da nun Jesus war zu Bethanien (Recitative)10:48 4d. Subscribers will receive an invitation to our season kick-off, featuring insights, musical illustrations and refreshments. A local Lutheran preacher, Salomon Deyling, supervised the writing of the text, using the 26th and 27th chapters of St Matthews Gospel (in his manuscript, Bach underlined the words of the Scripture with red ink). They all seem barren compared to Karl Richters intensity with Ernst Haefliger singing eevagelist. In fact, the reason the St. Matthew is divided into two large parts is because that sermon had to be included in the middle! Wo willst du (Chorus)22:52 9c. Die aberJesum (Recitative)1:15:28 32. Although a 'historically aware' account, it was (with hindsight) sufficiently expressive and dramatically engaged to win the affections of those suckled on . A great rendition of the St. Matthew Passion should have the feeling of an eclipse, of a massive body throwing the world into shadow.. St. Matthew Passion ; The Passion According to St Matthew ; Passionsmusik nach dem Evangelisten Matthus Composer Bach, Johann Sebastian: Opus/Catalogue Number Op./Cat. The extravagant work was written to reflect this crucial moment in the Lutheran calendar: the sombre, dramatic sacrifice of Jesuss life for his followers. Petrus aber (Recitative)1:26:35 38b. Bach kept it by his side until he died, carefully repairing any damage that marred the pages. From the day of its release, John Eliot Gardiner's 1988 recording with The English Baroque Soloists and The Monteverdi Choir planted itself firmly among the list of favourite recordings. (Chorus)1:36:22 41c. All rights reserved. Omissions? The soprano air Ich will dir mein Herze schenken (I Will Thee My Heart Now Offer; section 13) is distinct not only in that it matches the soprano with two oboes, rather than just one, but also in that it is the only genuinely cheerful section in the entire work. The St. Matthew Passion is often compared with Bach 's monumental Mass in B . The Passion begins with an immense wave of sound an opening chorus constructed of an interlocking double choir with a children's chorus soaring over the top building with intensity and sweeping the listener into the drama. Read our full review of this recording here, Christine Schfer, Dorothea Rschmann, Bernarda Fink, Elisabeth von Magnus, Christoph Prgardien, Michael Schade, Markus Schfer, Dietrich Henschel, Matthias Goerne, Oliver Widmer; Arnold Schoenberg Choir, Vienna Boys Choir/Nikolaus HarnoncourtTeldec Das Alte Werk 8573-81036-2 (2000), According to our reviewer Nicholas Anderson, A conspicuous and consistently pleasing aspect of this new performance lies in its refined phrasing and light articulation. This monumental St Matthew Passion is hailed as the greatest setting of the Passion story in western music, but surprisingly it was not until almost 100 years after its premiere that Bach's music got the recognition it deserved. This is a moment for reflection on all that has happened in the story so far and all that is to come, and Bach sets it as a classic chorale fantasia, with the chorale tune intoned slowly by the sopranos while the lower three voices weave lovely counterpoint around it. Da versammleten (Recitative)9:52 4b. Offer J S Bach: St Matthew Passion. Und Joseph (Recitative)2:39:05 67. While every effort has been made to follow citation style rules, there may be some discrepancies. With Martin Luthers Reformation in the early 16. century, the Bible and the Mass were translated into German. It is also, as Mendelssohn himself noted wryly, somewhat ironic that it took an actor and the son of Jew to revive the greatest Christian music for the world!. The soloists of Bachs Passion reflect important characters in the narrative: Jesus, Judas, Peter, two high priests, Pontius Pilate and his wife, two witnesses and two maids. Du lieber Heiland du (Arioso)13:29 6. as one of them and will add that it is the greatest of all his extraordinary creations. Bachs St. Matthew Passion is thought by many to be his most profoundly crafted workperhaps his magnum opus. The St Matthew Passion is one of two passion settings by Bach that survive today the other being his earlier St John Passion. BWV 244b ; BC D 3a I-Catalogue Number I-Cat. It is evident, too, in Bach Collegium Japans impeccable performances, which bespeak a score explored in meticulous detail and with profound affection.. This facilitated the dramatic elements of the Passion, such as interaction between solo characters and turba (crowd) choruses. Johann Sebastian Bach 's St Matthew Passion ( Matthuspassion ), BWV 244, is structured on multiple levels: the composition is structured in three levels of text sources (Gospel, libretto and chorales) and by the different forms that are used for musical expression (arias, recitatives and choruses). By continuing to use our website without changing your settings, you are agreeing to our use of cookies. Reviewing a recent semi-staged performance by the Berlin Philharmonic, The New Yorkers Alex Ross eloquently summed up the St. Matthews power: The immensity of Bachs designhis use of a double chorus and a double orchestra; his interweaving of New Testament storytelling and latter-day meditations; the dramatic, almost operatic quality of the choral writing; the invasive beauty of the lamenting arias, which give the sense that Christs death is the acutest of personal losseshas the effect of pulling all of modern life into the Passion scene. Sehet, Jesus hat die Hand (Aria)2:22:10 61. The character of Jesus (or the Voice of Christ) is performed by a bass soloist, accompanied by the string section of the first orchestra in his ariosos. snarling lower versions of the oboe, writhe in agony around the singers tortured arioso, riddled with strange harmonic twists more in keeping with todays music than with Baroque practice. What is it, and how will Solomon's Knot's approach it? (Choral)1:44:55 Er hat uns allen wohlgetan (Arioso)1:46:01 Aus Liebe (Arie)1:50:52 Lass ihn kreuzigen (Chor)1:51:35 Sein Blut komme ber uns (Chor)1:52:29 Erbarm es Gott! Knnen Trnen meiner Wangen (Aria)2:02:54 53a. (Chor)01:17:52 Wer hat dich so geschlagen (Chor)01:18:48 Petrus aber sa drauen (Rezitativ)01:21:14 Erbarme dich (Arie)01:26:15 Bin ich gleich von dir gewichen (Chor)01:27:28 Des Morgens aber hielten alle Hohepriester (Rezitativ)01:29:28 Gebt mir meinen Jesum wieder! Some of these are obvious because of the interplay of music and text; others are open to interpretation and have been "discovered," so to speak, by critics over the years. Ich will dir mein Herze schenken (Aria)32:46 14. Er sprach (Recitative)24:10 9d.Und sie wurden sehr Betrbt24:21 9e. Gardiner explains this is conceived as a procession of believers climbing slowly up to hilltop Jerusalem to witness the Crucifixion, with the second chorus calling out questions to the first. Johann Sebastian Bach, John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists, London Oratory Junior Singers, Anthony Rolfe Johnson, Andreas Schmidt, Barbara Bonney, Ann Monoyios, Anne Sofie von Otter - Bach: St. Matthew Passion - Amazon.com Music CDs & Vinyl Opera & Classical Vocal Vocal Non-Opera Passions $695 It is even written in two Parts (or two Acts) with an interval (indeed, for the works first performance a sermon was preached between the two Parts) and that is one reason why its first performance in Leipzig met with decidedly mixed reactions. This version of Bach's St. Matthew Passion, BWV 244, is led by British keyboardist Richard Egarr, increasingly often active as a conductor, at the helm of the venerable Academy of Ancient Music historical-instrument group.It has several distinctive features that more than justify a new recording of this towering work. Later after Peter has denied Jesus three times, the alto soloist sings the magnificent aria. Wiewohl mein Herz (Arioso)29:24 13. Premiered in St. Thomas Church in Leipzig where Bach was the Kapellmeister (leader of musical activities)at the Good Friday vespers service in 1727, the St. Matthew was the culmination of a long tradition in Germany of reciting the Passion story of Christs Crucifixionfound in the four gospels of Matthew, Mark, Luke and Johnduring Holy Week before Easter. Such listeners can rest assured that the basic Suzuki sound -- burnished winds, flawlessly integrated choral singing, careful handling of the soloists -- is intact here . This concert was recorded on 1 April 2012 at the Concertgebouw in. Also taking part in the Gospel recitation are singers from the chorus representing Peter, Judas, the High Priest, and Pontius Pilate. Gebt mir meinem Jesum wieder! Your email address will not be published. Because being able to clearly hear the Biblical words was of utmost importance, he chose the simplest musical means for the telling of the Passion story. English tenor Ian Bostridge is so taken with Bach's music that he has made the role of the Evangelist a staple of his repertoire. A guide to JS Bach's St Matthew Passion and its best recordings, Six of the best: pieces of classical music for Easter, Bach for Beginners: the recordings to help you discover Bach. These chapters detail the last days of Christs life, retold here by solo voices, double orchestra and double chorus. Und ging hin (Recitative)45:58 22. ". Am Abend (Arioso)2:30:16 65. Und siehe (Recitative)1:03:12 29. Wahrlich, du bist (Chorus)1:26:47 38c. Johann Sebastian Bach Matthus-Passion (St Matthew Passion) BWV 244, original Latin title Passio Domini nostri Jesu Christi secundum Evangelistam MatthumCol. The St Matthew Passion performed by the Netherlands Bach Society for All of Bach. Andern hat er (Chorus)2:17:38 58e. Its musical architecture alone has been praised for centuries. Und da sie (Recitative)2:07:19 56. The St Matthew Passion performed by the Netherlands Bach Society for All of Bach. (Chor)22:50 Er antwortete und sprach (Rezitativ)25:45 Wiewohl mein Herz in Trnen schwimmt (Acc.-Rezitativ)26:50 Ich will dir mein Herze schenken (Arie)30:10 Und da sie den Lobgesang gesprochen hatten (Rezitativ)31:10 Erkenne mich, mein Hter (Chor)32:18 Petrus aber antwortete (Rezitativ)33:25 Ich will hier bei dir stehen (Chor)34:33 Da kam Jesus mit ihnen zu einem Hofe (Rezitativ)36:12 Hier zittert das gequlte Herz (Acc.-Rezitativ)37:55 Ich will bei meinem Jesu wachen (Arie)42:43 Und ging hin ein wenig (Rezitativ)43:28 Der Heiland fllt vor seinem Vater nieder (Acc.-Rezitativ)44:18 Gerne will ich mich bequemen (Arie)47:55 Und er kam zu seinen Jngern (Rezitativ)49:15 Was mein Gott will, das gscheh allzeit (Chor)50:25 Und er kam und fand sie aber schlafend (Rezitativ)52:50 So ist mein Jesus nun gefangen (Arie)56:09 Sind Blitze, sind Donner in Wolken verschwunden? Since coming to St. Thomas in 1723, Bach had been writing quantities of cantatasshort sacred works featuring soloists, chorus and orchestrathat were included in most of the Sunday services. ; seating is limited and first-come, first-served. There had already been a long history of Passion music that is musical settings telling the story of the final, short period in the life of Jesus. Equally beautiful is the sopranos lyrical aria Aus Liebe, sung in a gorgeous duet with a solo flute during Jesus trial before Pontius Pilate. Befiehl due deine Wege (Chorale)1:43:51 45a. It is widely regarded as one of the masterpieces of classical sacred music. Near the end of Part I, when Jesus has been seized by the High Priests soldiers, Bach created. Gardiner explains this is conceived as a procession of believers climbing slowly up to hilltop Jerusalem to witness the Crucifixion, with the second chorus calling out questions to the first. Let us know if you have suggestions to improve this article (requires login). Which are the best music streaming services for classical music lovers. The first part concerns Jesus Christs betrayal, the Last Supper, and his prayers and arrest in Gethsemane. Falling into obscurity after Bachs lifetime, it was reintroduced by Felix Mendelssohn in 1829 at the head of the modern Bach revival. Suzuki and his team have since recorded the St Matthew Passion for a second time, also with great success. Many of the arias have companion recitatives, and the altos Ach, Golgotha, as Jesus dies on the cross, is perhaps the finest. In Bachs time, St Thomass had two organ lofts the larger of the two accommodating the musicians for Sunday services throughout the year, the smaller loft used for the additional numbers needed for the music at Christmas and Easter. The St Matthew Passion ( German: Matthus-Passion ), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the German translation of Martin Luther) to music, with interspersed chorales and arias. Though it is difficult to choose among such a rich assortment, here are five special moments. There are 14 chorales sung by Bachs two choruses throughout the work, and he carefully selected which ones and which verses to include. And so a new movement arose, which its detractors nicknamed Pietism, and the idea was simplicity, humanity, worship in touch with the man in the street.. Wozu dienet dieser Unrat? Gegrsset seist du (Chorus)2:04:05 54. 2023 Los Angeles Opera. (Arie)01:32:04 Sie hielten aber einen Rat (Rezitativ)01:34:20 Befiehl du deine Wege (Chor)01:35:33 Auf das Fest aber hatte der Landpfleger Gewohnheit01:37:45 La ihn kreuzigen! Matthus-Passion BWV 244 English Translation in Interlinear Format Saint Matthew Passion BWV 244: Event: Good Friday Text: Christian Friedrich Henrici (Picander), based on Matthus 26-27 Chorale Texts: Werde munter mein Gemte | Meinen Jesum la' ich nicht | Befiehl du deine Wege | O Haupt voll Blut und Wunden | Was mein Gott will, das g'scheh allzeit | O Welt, sieh hier dein Leben Critics around the world agreed. This tragically beautiful hymn was Bachs favorite, and he used it many times in other compositions. Here two oboes da caccia, snarling lower versions of the oboe, writhe in agony around the singers tortured arioso, riddled with strange harmonic twists more in keeping with todays music than with Baroque practice. John Eliot Gardiners benchmark Archiv recording of Bachs St Matthew Passion, recorded in 1989, is a masterstroke that remains a milestone in the catalogue. Conductor and Bach scholar John Eliot Gardiner points out that here the composer found a remarkably apt musical parallel for the text: the low-voiced alto cannot reach the violins higher notes as she tries to imitate its song. Service 3.8. Following on the Netherlands Bach Society s successful boxed sets of JS Bach s Christmas Oratorio, St. John Passion and B minor Mass in deluxe, collector s edition packages, Channel Classics presents a new and very special release of J.S. The speeches of various characters Commentator (soprano), Evangelist (tenor), Christ (bass), Peter (bass), Judas (bass), and so forth are represented by various solo singers. This focus is immediately evident in the opening chorus/chorale, which he imbues with compelling power despite opting to use relatively small vocal and orchestral forces throughout. Ja nicht auf das Fest (Chorus)10:10 4c. Rufus Mller, EvangelistJonathon Adams, ChristusElijah McCormack, sopranoKatelyn Aungst, sopranoReginald Mobley, countertenorKristen Dubenion-Smith, altoMatthew Hill, tenorJacob Perry, Jr., tenorMischa Bouvier, bassDavid Rugger, bass, Running time: 190 minutes, including intermission, The Honorable & Mrs. John D. Rockefeller IV, underwriters. Der du den Tempel (Chorus)2:16:34 58c. Listen to John Eliot Gardiners benchmark recording of Bachs St Matthew Passion on Apple Music and Spotify and scroll down to discover the story behind the sacred masterpiece. (Aria)1:22:01 Er is des Totes schuldig (Chor)1:22:27 Weissage uns (Chor)1:22:48 Wer hat dich so geschlagen (Choral)1:24:42 Wahrlich, du bist (Chor)1:26:19 Erbarme dich (Arie)1:32:34 Bin ich gleich (Choral)1:34:33 Was gehet uns das an? Three epic choruses to Picander poetic textsat the beginning, the middle, and the endform the massive supporting pillars for the St. Matthew Passions immense structure. (Acc.-Rezitativ)01:47:20 Knnen Trnen meiner Wangen (Arie)01:53:30 Da nahmen die Kriegsknechte (Rezitativ)01:54:40 O Haupt voll Blut und Wunden (Chor)01:56:58 Und da sie ihn verspottet hatten (Rezitativ)01:58:05 Ja freilich will in uns (Acc.-Rezitativ)01:58:40 Komm, ses Kreuz (Arie)02:03:32 Und da sie an die Sttte kamen (Rezitativ)02:07:09 Ach Golgatha (Acc.-Rezitativ)02:08:20 Sehet, Jesus hat die Hand (Arie)02:11:11 Und von der sechsten Stunde an (Rezitativ)02:13:30 Wenn ich einmal soll scheiden (Chor)02:17:40 Am Abend, da es khle war (Acc.-Rezitativ)02:19:18 Mache dich, mein Herze, rein (Arie)02:24:32 Und Joseph nahm den Leib (Rezitativ)02:27:06 Nun ist der Herr zur Ruh gebracht (Acc.-Rezitativ)02:28:50 Wir setzen uns mit Trnen nieder (Schlusschor)11.04.2017 Dom zu Brixen (I)BRIXNER INITIATIVE MUSIK UND KIRCHESDTIROL IN CONCERTYoutube: https://www.youtube.com/c/SdtirolinconcertFacebook: https://www.facebook.com/suedtirolinconcertTwitter: https://twitter.com/STinconcertVideo: asolutionsAudio: Simon Lanz | www.facebook.com/incantorecordings#johannsebastianbach #bach #classicalmusic Nun ist mein Jesus hin (Arie)1:13:34 Mir hat die Welt (Choral)1:15:31 Mein Jesus schweigt (Arioso)1:16:58 Geduld! JS Bachs St Matthew Passion is a passion oratorio, which sets to music the 26th and 27th chapters of St Matthews Gospel from the German Lutheran bible. Da das Jesus merkete (Recitative)12:40 5. This was followed three years later by the St. Matthew Passion, using the longer and more vividly told story found in the Gospel of Matthew, Bach's favorite. Der Landpfleger (Recitative)1:47:31 48. Bach kept it by his side until he died, carefully repairing any damage that marred the pages. Janet E. Bedell is a program annotator and feature writer who is the principal writer for Carnegie Halls vocal presentations, including song recitals, operas and choral music. (Chor)25:03 Ich bin's (Chor)28:53 Wiewohl mein Herz (Arioso)30:07 Ich will dir mein Herze schenken (Arie)34:24 Erkenne mich, mein Hter (Choral)36:40 Ich will hier bei dir stehen (Choral)39:35 O Schmerz (Arioso)41:10 Ich will bei meinem Jesu wachen (Arie)46:58 Der Heiland fllt (Arioso)47:50 Gerne will ich mich bequemen (Arie)53:28 Was mein Gott will (Choral)57:00 So ist mein Jesus nun gefangen (Arie)1:00:07 Sind Blitze, sind Donner (Chor)1:03:38 O Mensch, bewein (Choral)1:09:16 Ach! Lass sehen (Chor)2:22:23 Wenn ich einmal soll scheiden (Choral)2:24:56 Wahrlich, dieser ist Gottes Sohn gewesen (Chor)2:26:33 Am Abend (Arioso)2:28:27 Mache dich, mein Herze, rein (Arie)2:35:13 Herr, wir haben gedacht (Chor)2:38:45 Wir setzen uns mit Trnen nieder (Chor) Np Full Practice Authority States, Articles B